Hamilton's The Dirty Nil Share Fifth Full-Length Album, 'The Lash,' Helmed by Cinematic Slow-Burner "This is Me Warning Ya"

Hamilton, Ontario's The Dirty Nil unveil their fifth album, The Lash, via Dine Alone Records. Ultimately, The Lash sounds exactly like what the title implies – a cold, hard crack of the whip by the Canadian rock band, one that snaps them with a much needed reset after nearly 20 years of exploring the light.

Following the hardcore-laced heat of "Fail in Time" and the snarling honesty of "Rock N' Roll Band," the record's focus track, "This is Me Warning Ya," showcases a strikingly different side of the band – cinematic, spacious, and surprisingly romantic. "This is Me Warning Ya" trades distortion for orchestration, bringing in violin and cello to build a darkly elegant backdrop for Luke Bentham's crooning vocals.

The track taps into the raw emotionality that defines The Lash, while highlighting the album’s most intimate, string-laden moment.

Stream + share The Lash in full now: https://thedirtynilstream.com/thelash
Watch + share a live performance of "This is Me Warning Ya," as well: https://youtu.be/Qo5lc5ZoTRs

I was definitely on a Frank Sinatra listening kick. I wrote it really quickly and was happy with it. There were no revisions or alterations from the first draft. When we recorded it, our friend Sara Danae came in to play violin on what I had laid down, it really made it sound lush. We asked if she could also play some cello as well. Despite never playing one before, she bowed out a simple but beautiful passage and I was over the moon with the final result. – Luke Bentham on "This is Me Warning Ya."

Everything about The Lash evokes a certain sort of brutality.

During a trip to the Vatican, Bentham found inspiration in some of its forgotten art: I was in a very dusty part of the basement, and they had these crazy bronze reliefs that were some of the most brutal things I've ever seen. There was a particular one called The Horrors of War. It was two guys fighting over a knife. That image ended up guiding a lot of this record.

From there, the band brought in UK designer Jack Sabbat for his acerbic, bootleg punk-flyer style, assuring The Lash would look right at home in a beat-up bin of old Crass records or in a Medieval torture dungeon.