Juno Pearls New Single “100 Days” – Out Now
Juno pearl
Atmospheric and Cathartic Indie Rock
Juno Pearl crafts reflective, lyric-driven indie rock infused with atmospheric textures and a slow-burning intensity, drawing comparisons to Band of Horses, The National, Johnossi, and Manchester Orchestra. Their sound captures the nostalgic energy of post-punk, weaving together expansive instrumentals and emotionally charged narratives—perfect for late-night listening and immersive sonic experiences.
Formed in Gävle, Sweden, the band came together through serendipitous jam sessions and a shared love for raw, heartfelt music. Despite starting as strangers, their chemistry quickly evolved into a seamless blend of cinematic guitars and deeply personal songwriting. Their 2024 debut singles, including Giorgio’s Plaza and Broken Flowers, introduced listeners to their signature balance of introspection and cathartic release, setting the stage for their debut album The Ladder’s End, released in January 2025.
Juno Pearl’s music explores themes of alienation, mental illness, and the quiet beauty found in everyday moments, wrapped in enthralling soundscapes that build toward powerful, emotive vocal climaxes. Now signed to Rexius Records, they are gearing up for the release of three new singles, continuing to refine their distinct, immersive sound.
With an approach that feels both intimate and expansive, Juno Pearl invites listeners into a world where thoughtful storytelling and atmosphere take center stage.
Juno Pearl – “100 days”
Atmospheric, lyric-first Swedish indie rock that blooms from hush to catharsis
Juno Pearl returns once again with their new song “100 Days” which is a lyric-first Swedish indie/alt-rock cut that pairs atmospheric guitars and glockenspiel/synth details with a slow-burning rise and a cathartic refrain. Produced by the band and shaped at Boombridge Studios and Rose Garden Studios, mixed/mastered by Mats Eriksson, it channels introspective storytelling into a widescreen, night-drive mood—intimate yet expansive.
