SINGLE REVIEW: Ari Fraser - Come My Son

From the very first notes of ‘Come My Son,’ Ari Fraser sets a tone that’s both tender and contemplative. The track opens with a beautifully somber string section that feels like a reflective breath—melancholic but filled with a quiet hope. It’s the perfect emotional backdrop for a song about legacy, love, and the fragile but unbreakable bonds between father and son. As the vocals enter, Fraser’s voice feels intimate and honest, soft but weighted with sincerity. There’s a homely warmth in his delivery that instantly invites you in, as if you’re overhearing a private moment rich with meaning.

What stands out most is how Fraser uses vocal layering—not to dazzle, but to build a subtle, enveloping texture that carries the narrative gently forward. The pace is unhurried and dreamy, letting the story breathe as it unfolds naturally. Underneath, synths pulse quietly, creating an electronic heartbeat that grounds the track in the present without overwhelming its organic core. The song’s dynamic shifts are well-measured, gradually building to a fuller, more dramatic soundscape that mirrors the emotional journey being told. The rising energy never feels forced; instead, it flows like a tide lifting the listener higher with each verse.

Lyrically, ‘Come My Son’ is a meditation on guidance and hope, the kind that feels timeless but deeply personal. It captures the tension between vulnerability and strength—a father’s promise of protection and belief in a better future, passed down through stories and quiet moments. The chorus bursts with a hopeful energy that feels earned rather than grandiose, emphasizing the unshakeable bond at the heart of the song. Overall, Ari Fraser crafts a track that’s immersive and layered, blending traditional instrumentation with modern elements in a way that feels fresh and deeply human. It’s a song that rewards close listening, and one that lingers long after the final note fades.

Amy

I'm Amy a Norfolk girl, currently residing at the seaside.

Age: eternally 21 (I’m really Peter Pan!).

By day I'm a Leaks, Condensation, Damp and Mould Resident Liaison Officer and by night I'm CRB's admin bitch, reviewer extraordinaire, point and hope for the best photographer, paperclip monitor and expert at breaking anything technical then expecting Scott to fix it!

I'm into all kinds of music the more obscure the better (my music taste is definitely better than yours 🤪😜) with my fave band being The Wonder Years.

I'm an Ipswich Town fan and have an unhealthy obsession with hedgehogs!

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SINGLE REVIEW: Martina and the Moons – Baby Turtle