SINGLE REVIEW: Catherine Elms - Medusa

Catherine Elms delivers a spellbinding, unsettling composition with 'Medusa', a track that blurs the boundaries between seduction and nightmare. There’s an eerie magnetism to it—an unease that lingers beneath the surface, drawing the listener deeper into its dark, atmospheric world.

The song opens with a tense, shadowed introduction, a piano bassline pulsing beneath its ominous textures. The atmosphere is dense, fog-like, unsettling yet deliberate, making it feel less like the beginning of a song and more like the opening scene of a psychological thriller. Then come the vocals—haunting, unnerving, and laced with theatrical artistry. Elms doesn’t just sing; she embodies the emotions within the song, channelling a dark cabaret influence reminiscent of Emilie Autumn while maintaining a distinct, classic stylisation.

As 'Medusa' unfolds, the arrangement grows, swelling into grand cinematic heights before slipping back into its macabre depths. It plays with contrast—beauty and menace intertwined, creating something immersive, hypnotic, and almost ritualistic in its execution. A subtle, demonic scream lingers in the background, adding another layer to its eerie grip, reinforcing its ability to unsettle without ever losing its power.

Elms has an ability to blend artistic storytelling with raw emotional depth, and 'Medusa' is a perfect example of that. It’s more than a song—it’s an experience, a descent into something both familiar and foreign. The instrumentation is striking, yet never overbearing, allowing each element to breathe while ensuring the overall intensity never fades.

There’s a theatrical brilliance to 'Medusa'—a track that feels like an invitation into a realm where vulnerability is power, and darkness holds its own kind of light. It demands attention, captivates in its every moment, and leaves behind an impression that lingers long after the final note fades.

Amy

I'm Amy a Norfolk girl, currently residing at the seaside.

Age: eternally 21 (I’m really Peter Pan!).

By day I'm a Leaks, Condensation, Damp and Mould Resident Liaison Officer and by night I'm CRB's admin bitch, reviewer extraordinaire, point and hope for the best photographer, paperclip monitor and expert at breaking anything technical then expecting Scott to fix it!

I'm into all kinds of music the more obscure the better (my music taste is definitely better than yours 🤪😜) with my fave band being The Wonder Years.

I'm an Ipswich Town fan and have an unhealthy obsession with hedgehogs!

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SINGLE REVIEW: After The Encounter - Pariah