TV Priest release new album 'My Other People', plus share single 'It Was A Gift'


New album My Other People

Out today via Sub Pop Records

Listen HERE

Share new single 'It Was A Gift'

Watch the visualiser HERE

Support for TV Priest: “A record that exposes a new element of vulnerability that makes no sacrifice to their gritty, unshackled punk sound. TV Priest’s hearts are not just on their sleeves but served up on a platter for us to enjoy.” ★★★★ DORK

“Flare-ups of vibrant noise… taut rhythms and brief but potent guitar flashes are occasionally reminiscent of Jon Spencer or J. Mascis. My Other People sees TV Priest continue to map out their own increasingly intriguing identity.” Kerrang! Magazine

“Post-punk propulsion from the London four-piece, with a vocal like a prolonged howl of pain, rage and love.” The Sunday Times

“they’re just a cut above for me” - BBC6 Music, Lauren Laverne (‘It Was Beautiful’)

“Stark and sinister, this track is a Nick Cave-esque lament on urban displacement and a longing for beautiful landscapes.” - The Times (‘Limehouse Cut’)

“There’s a strong crackle of big-collared ’90s nylon shirting – Tindersticks, Pulp, Nick Cave, Morphine – as singer Charlie Drinkwater darkens the corners: “Off that map there are monsters / off that map there are madmen.” - MOJO ('Limehouse Cut')

“On these new tracks, vocalist Charlie Drinkwater continues to resemble Joe Talbot, but I can just as easily hear Nick Cave, Jim Morrison, and Protomartyr’s Joe Casey in those bellows. His bandmates sound spry and adventurous, brimming with ideas and kinetic energy.” - Stereogum (‘Bury Me In My Shoes’)

TV Priest’s My Other People, the group’s new album and follow up to Uppers, is out today worldwide on Sub Pop.

The album features the standouts 'One Easy Thing', 'Bury Me In My Shoes', 'It Was Beautiful', 'Limehouse Cut', and today's single 'It Was A Gift', and it was produced by band member/multi-instrumentalist Nic Bueth at Studio East in London.

TV Priest’s international touring in support of My Other People resumes tonight in London with an in-store performance at Rough Trade East, and now runs through Saturday, 26th November in Cologne, Germany at Artheater.

My Other People is available worldwide on CD/LP/CS/All DSPs from Sub Pop. LPs purchased through, and select independent retailers in North America will receive the Opaque Pink w/white smoke vinyl version (while supplies last). Meanwhile, LPs purchased in the U.K. and Europe through select independent retailers will receive the album on clear vinyl.

My Other People is out today via Sub Pop Records

Listen HERE

TV Priest Tour Dates For up to date information on tickets, please visit TV Fri. Jun. 17 - London, UK - Rough Trade East Mon. Jun. 20 - Brighton, UK - Resident* Tue. Jun. 21 - Southsea Portsmouth, UK - Pie & Vinyl* Wed. Jun. 22 - Totnes, UK - Drift* Thu. Jun. 23 - Leeds, UK - The Vinyl Whistle* Sun. Jul. 03 - Hyeres, FR - Pointu Festival Fri. Jul. 22 - Suffolk, UK - Latitude Festival Sun. Jul. 24 - Sienna, IT - TVSpenta Festival Tue. Jul.26 - Brooklyn, NY - Union Pool Wed. Jul. 27 - Philadelphia, PA - PhilaMOCA Fri. Jul. 29 - Montréal, QC - Bar le Ritz PDB Sat. Jul. 30 - Toronto, ON - Monarch Tavern Sun. Jul. 31 - Chicago, IL - Beat Kitchen Thu. Aug. 04 - Happy Valley, OR - Pickathon Fri. Aug. 05 - Happy Valley, OR - Pickathon Sat. Aug. 06 - Vancouver, BC - Fox Cabaret Sun. Aug. 07 - Seattle, WA - Clock-Out Lounge Fri. Sep. 03 - Salisbury, UK - End of the Road Festival Fri. Sep. 09 - Heusden, NL - Misty Fields Festival Sat. Sep. 17 - Leicester, UK - Wide Eyed Festival Mon. Oct. 24 - Nijmegen, NL - Merleyn Tue. Oct. 25 - Groningen, NL - Vera Tue. Oct. 26 - Rotterdam, NL - Rotown Fri. Oct. 28 - Amsterdam, NL - London Calling Festival Sun. Oct. 30 - Bristol, UK - The Louisiana Mon. Oct. 31 - Birmingham, UK - Hare & Hounds Tue. Nov. 01 - Dublin, IE - The Workman's Cellar Thu. Nov. 03 - Manchester, UK - Yes (Pink Room) Fri. Nov. 04 - Glasgow, UK - Broadcast Sat. Nov. 05 - Leeds, UK - Belgrave Music Hall Mon. Nov. 07 - Cambridge, UK - Portland Arms Tue. Nov. 08 - Leicester, UK - Firebug Bar Thu. Nov. 10 - London, UK - Scala Fri. Nov. 11 - Reading, UK -The Face Bar Sat. Nov. 12 - Southampton, UK - The Joiners Sun. Nov. 13 - Brighton, UK - Green Door Store Tue. Nov. 15 - Paris, FR - TBC Wed. Nov. 16 - Le Havre, FR - Le Tetris Fri. Nov. 18 - Nantes, FR - Stereolux Sat. Nov. 19 - Lille, FR - L’Aeronef Sun. Nov. 20 - Brussels, BE - Botanique Tue. Nov. 22 - Zurich, CH - Bogen F Thu. Nov. 24 - Berlin, DE - Privatvclub Fri. Nov. 25 - Cologne, DE - Artheater * Stripped down performances

TV Priest My Other People Tracklisting 1. One Easy Thing 2. Bury Me In My Shoes 3. Limehouse Cut 4. I Have Learnt Nothing 5. It Was Beautiful 6. The Happiest Place On Earth 7. My Other People 8. The Breakers 9. Unravelling 10. It Was A Gift 11. I Am Safe Here 12. Sunland

More on TV Priest’s My Other People: Having made music together since their teenage years, the London four-piece TV Priest piqued press attention in late 2019 with their first gig as a newly solidified group, a raucous outing in the warehouse district of Hackney Wick. Debut single “House of York '' followed with a blistering critique of monarchist patriotism, and they were signed to Sub Pop for their debut album. When Uppers arrived in the height of a global pandemic, it reaped praise from critics and fans alike for its ‘dystopian doublespeak’, but the band — vocalist Charlie Drinkwater, guitarist Alex Sprogis, producer, bass and keys player Nic Bueth and drummer Ed Kelland – were sat at home like the rest of us, drinking cups of tea and marking time via government-sanctioned daily exercise. As such, the personal and professional landmark of its release felt “both colossal and minuscule” dampened by the inability to share it live. “It was a real gratification and really cathartic, but on the other hand, it was really strange, and not great for my mental health” admits Drinkwater. “I wasn’t prepared, and I hadn't necessarily expected it to reach as many people as it did. It sounds a bit naïve, but it was all very quick. It felt kind of divorced from reality.”

As such, My Other People intentionally maintains a strong sense of earth-rooted emotion, taking full advantage of the opportunity to physically connect. Using “Saintless” (the closing song from Uppers) as something of a starting point, Drinkwater set about crafting lyrics that allowed him to articulate a deeper sense of personal truth, using music as a vessel to communicate with his bandmates about his depleting mental health. “Speaking very candidly, it was written at a time and a place where I was not, I would say, particularly well,” he says. “There was a lot of things that had happened to myself and my family that were quite troubling moments. I apologised to the band the other day for not being a great friend or person in this process, because I simply was not happy. Despite that I do think the record has our most hopeful moments too; a lot of me trying to set myself reminders for living, just everyday sentiments to try and get myself out of the space I was in. Whether or not the sincerity is understood, I think I'll always be proud of that.” “It was a bit of a moment for all of us where we realised that we can make something that, to us at least, feels truly beautiful,” agrees Bueth. “Brutality and frustration are only a part of that puzzle, and despite a lot of us feeling quite disconnected at the time, overwhelmingly beautiful things were also still happening.”

To strike this balance, My Other People relies on the band’s tight-knit working method, with Bueth once again at the self-producing helm. Following their own intuition as part of a “feverish” writing process, they looked inwards for inspiration rather than attempting to ape any sonic heroes, ending up with something that feels much more like affirmingly widescreen alt-rock than it does post-punk. Arrangements give room to let the voice roam; the optimistic melodies of “The Breakers” light flares to accompany Drinkwater’s recognition of the path that leads him back to friendship, while the rumbling pace of “Unravelling” reflects his more fractious state, looking for a safe place to land amidst the detritus of biting guitars. Where possible, recordings weren’t agonised over, but rather trusted on their initial takes when the mood had hit right. Though they recognise that ‘ band still searching for sound on second album’ is a sentiment that is often weaponised as criticism, it’s a process of self-improvement that Drinkwater is keen to protect: “Why would I keep making art if I didn't believe that the best thing was not around the corner?”

Visually speaking, the same intention of momentum carries forth. The album’s artwork, photographed by Edward Thompson, depicts two children looking out to sea, a scene suspended somewhere between melancholy and hope. The video for “One Easy Thing”, the album’s lead single, directed by long term collaborator Joe Wheatley (“Decoration”, “Press Gang”) is a homage to new wave and French cinema, the singer donning full medieval armour as he bleeds and dances, persevering despite the seemingly impossible circumstance. Though Drinkwater wants its message of discomfort to show, he’s also keen not to overexplain it: “Last time, I literally was like, 'please like me', to everyone,” he laughs. “I stood next to the record and talked it to death, what things meant or where I did and didn’t stand. This time, I think it’s better if I leave some space.”

An allowance for the interpretation of others is perhaps most clear on “Bury Me In My Shoes”, built around a stark chorus line; “Life Only Comes In Flashes Of Greatness.” It is a lyric borne out of deep depression, the existential fear of our ever-changing mortal coil. But if you look at it differently, it could just as easily be read as affirmation, a reminder to seize the moment and make it count. This tension between the fullness of the glass, the cathartic value that such a lyric may hold in different lights, is central to My Other People — a record that heals by providing space for recognition, a ground zero from which you’re welcome to stay awhile but which ultimately — realistically — only leads up and out. For TV Priest, it is a follow-up that feels truly, properly them; free of bravado, unnecessary bluster or any audience pressure to commit solely to their original sound (read more at Sub

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